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At top:  Sashiko Sampler, by Margaret Solomon Gunn. Above, left: He Loves Me, He Loves Me Not, © 2015 by Louisa L. Smith. At right: Why Knot? © 2014 by Tanya Brown.

July/August 2015

In this issue, we explore cover artist Louisa L. Smith’s technique for creating Color & Texture, Margaret Solomon Gunn explains the basics of Grid-Based Backfills and Bethanne Nemesh steps us through Designing a Pictorial Whole Cloth Quilt. Plus, Jeanie Sumrall-Ajero outlines her method of Cutting Machine Appliques.

Download the Table of Contents for a complete list of what’s inside the July/August 2015 issue, and get the Web Extras here:

Alegria (Color for the Soul by Michelle Mischkulnig)

Vintage Goes Modern

 

Above: Sashiko Sampler, by Margaret Solomon Gunn.

July/ August 2015

In this issue, we explore cover artist Louisa L. Smith’s technique for creating Color & Texture, Margaret Solomon Gunn explains the basics of Grid-Based Backfills and Bethanne Nemesh steps us through Designing a Pictorial Whole Cloth Quilt. Plus, Jeanie Sumrall-Ajero outlines her method of Cutting Machine Appliques.

Download the Table of Contents for a complete list of what’s inside the July/August 2015 issue, and get the Web Extras here:

Alegria (Color for the Soul by Michelle Mischkulnig)

Vintage Goes Modern

 

Above: He Loves Me, He Loves Me Not, © 2015 by Louisa L. Smith.
Above: Why Knot? © 2014 by Tanya Brown.

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